{"id":220264,"date":"2026-11-10T04:30:00","date_gmt":"2026-11-10T03:30:00","guid":{"rendered":"https:\/\/otraronda.xyz\/rock\/discos-publicados-un-10-de-noviembre\/"},"modified":"2026-11-10T04:30:00","modified_gmt":"2026-11-10T03:30:00","slug":"discos-publicados-un-10-de-noviembre","status":"publish","type":"post","link":"https:\/\/otraronda.xyz\/rock\/discos-publicados-un-10-de-noviembre\/","title":{"rendered":"Discos publicados un 10 de Noviembre"},"content":{"rendered":"
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\u00a0<\/a><\/p>\n

\u2022 1960 – ELVIS PRESLEY – <\/b>\u2018His Hand in Mine\u2019<\/b><\/a><\/div>\n
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<\/div>\n
\u2022 1962 – FRANK SINATRA – ‘All Alone’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1967 – THE MOODY BLUES – ‘Days of Future Passed’<\/a> (UK)<\/b><\/div>\n
<\/div>\n
\u2022 1969 – GRATEFUL DEAD – \u2018Live\/Dead\u2019<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1969 – THE BYRDS – ‘Ballad of Easy Rider’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1972 – BARCLAY JAMES HARVEST – ‘Baby James Harvest’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1973 – THE O’JAYS – \u2018Ship Ahoy\u2019<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1975 – NEIL YOUNG & CRAZY HORSE – \u2018Zuma\u2019<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1975 – CHICAGO – ‘Chicago IX: Chicago’s Greatest Hits’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1976 – JACKSON BROWNE – ‘The Pretender’<\/a><\/b><\/div>\n
<\/div>\n
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\u2022 1976 – THE NERVES – ‘The Nerves’<\/a><\/b><\/div>\n
<\/div>\n<\/div>\n
\u2022 1977 – RIOT – ‘Rock City’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1977 – EMERSON, LAKE & PALMER – ‘Works Volume 2’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1978 – THE CLASH – \u2018Give ‘Em Enough Rope\u2019<\/a> (UK)<\/b><\/div>\n
<\/div>\n
\u2022 1978 – BOB MARLEY & THE WAILERS – ‘Babylon by Bus\u2019<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1978 – QUEEN – \u2018Jazz\u2019<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1978 – X-RAY SPEX – ‘Germfree Adolescents’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1980 – NEIL DIAMOND – ‘The Jazz Singer’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1980 – VISAGE – ‘Visage’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1981 – M\u00d6TLEY CR\u00dcE – ‘Too Fast for Love’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1981 – BARBRA STREISAND – ‘Memories’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1983 – BILLY IDOL – ‘Rebel Yell’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1984 – TRIUMPH – ‘Thunder Seven’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1986 – BRUCE SPRINGSTEEN – \u2018Live\/1975\u201385\u2019<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1986 – SODA STEREO – ‘Signos’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1986 – SEPULTURA – ‘Morbid Visions’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1986 – LOUDNESS – ‘8186 Live’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1986 – KRAFTWERK – ‘Electric Caf\u00e9’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1986 – KATE BUSH – ‘The Whole Story’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1986 – THE MISSION – ‘God’s Own Medicine’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1986 – MODERN TALKING – ‘In the Middle of Nowhere’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1987 – NEIL DIAMOND – ‘Hot August Night II’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1987 – CHER – ‘Cher’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1988 – AMERICAN MUSIC CLUB – ‘California’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1990 – KROKUS – ‘Stampede’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1992 – J.J. CALE – ‘Number 10’<\/a><\/b><\/div>\n
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\u2022 1992 – WEEN – ‘Pure Guava’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1992 – BIOHAZARD – ‘Urban Discipline’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1992 – PETER GABRIEL – ‘Peter Gabriel Revisited’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1992 – BRIAN ENO – ‘The Shutov Assembly’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1998 – NSYNC – ‘Home for Christmas’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1998 – RUSH – ‘Different Stages’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2003 – SILVERCHAIR – ‘Live from Faraway Stables’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2003 – KYLIE MINOGUE – ‘Body Language’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2008 – THE SMITHS – ‘The Sound of The Smiths’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2008 – D-A-D – ‘Monster Philosophy’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2009 – BON JOVI – ‘The Circle’<\/a> (USA)<\/b><\/div>\n
<\/div>\n
\u2022 2009 – THE TUBES – ‘Mondo Birthmark’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2009 – TORI AMOS – ‘Midwinter Graces’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2009 – SWITCHFOOT – ‘Hello Hurricane’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2009 – ALEJANDRO SANZ – ‘Para\u00edso Express’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2009 – DASHBOARD CONFESSIONAL – ‘Alter the Ending’<\/a> (USA)<\/b><\/div>\n
<\/div>\n
\u2022 2014 – PINK FLOYD – ‘The Endless River’<\/a> (UK)<\/b><\/div>\n
<\/div>\n
\u2022 2014 – FOO FIGHTERS – ‘Sonic Highways’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2014 – WHITNEY HOUSTON – ‘Whitney Houston Live: Her Greatest Performances’<\/a><\/b><\/div>\n
<\/div>\n
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\u2022 2014 – JUAN LUIS GUERRA – ‘Todo tiene su hora’<\/a><\/b><\/div>\n
<\/div>\n<\/div>\n
\u2022 2017 – THE CORRS – ‘Jupiter Calling’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2017 – ELTON JOHN – ‘Diamonds’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2017 – TEARS FOR FEARS – ‘Rule the World: The Greatest Hits’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2017 – BILLY RAY CYRUS – ‘Set the Record Straight’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2017 – EVANESCENCE – ‘Synthesis’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2017 – TAYLOR SWIFT – ‘Reputation’<\/a><\/b><\/div>\n
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\u2022 2017 – SWING OUT SISTER – ‘Almost Persuaded’<\/a><\/b><\/div>\n
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\u2022 2017 – GRETA VAN FLEET – ‘From the Fires’<\/a> (EP)<\/b><\/div>\n
<\/div>\n<\/div>\n
\u2022 2017 – CARLOS VIVES – ‘Vives’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2017 – SHED SEVEN – ‘Instant Pleasures’<\/a><\/b><\/div>\n
<\/div>\n
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\u2022 2017 – TENNIS – ‘We Can Die Happy’<\/a> (EP)<\/b><\/div>\n
<\/div>\n<\/div>\n
\u2022 2018 – FOCUS – ‘Focus 11’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2023 – FOGHAT – ‘Sonic Mojo’<\/a><\/b><\/div>\n

<\/b><\/div>\n
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\u2022 2023 – MON LAFERTE – ‘Autopoi\u00e9tica’<\/a><\/b><\/div>\n
<\/div>\n
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\u2022 2023 – CHRIS BROWN – ’11:11′<\/a><\/b><\/div>\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n
<\/div>\n
<\/a><\/div>\n
single 1967: \u2018NIGHTS IN WHITE SATIN\u2019<\/b><\/a><\/div>\n
El 10 de noviembre de 1967 se public\u00f3 en Inglaterra el single ‘Nights in white satin’, de la banda brit\u00e1nica Moody Blues<\/i>. Justin Hayward<\/i>, miembro de la banda, escribi\u00f3 el tema a los diecinueve a\u00f1os, y titul\u00f3 la canci\u00f3n inspir\u00e1ndose en unas s\u00e1banas de sat\u00e9n que recibi\u00f3 como regalo de una amiga. La letra trata sobre un ansiado amor lejano.<\/div>\n
HISTORIA COMPLETA en: https:\/\/efemeridesdelamusica.blogspot.com.es\/2013\/11\/single-nights-in-white-satin.html<\/a><\/div>\n
<\/div>\n
<\/a><\/div>\n
LP 1978: \u2018BABYLON BY BUS\u2019<\/a><\/b> (Bob Marley & the Wailers<\/i>)<\/div>\n
El 10 de noviembre de 1978 se public\u00f3 el doble \u00e1lbum en directo de Bob Marley & the Wailers<\/i> \u2018Babylon By Bus\u2019 con 13 temas procedentes de los conciertos que el jamaicano realiz\u00f3 en junio de ese a\u00f1o en Europa en el marco de su Kaya Tour<\/i>, principalmente el celebrado en el Pavillon<\/i> de Paris. Considerado el \u00e1lbum en directo m\u00e1s influyente del reggae<\/i>, conten\u00eda \u00e9xitos de la banda como \u2018Positive vibration\u2019, \u2018Exodus\u2019, \u2018Stir it up\u2019, \u2018Concrete jungle\u2019, \u2018Is this love?\u2019 y \u2018Jammin\u2019\u2019.<\/div>\n
<\/div>\n

<\/b><\/div>\n
\u00a9 2011-2026 efem\u00e9rides musicales<\/b><\/div>\n
<\/div>\n
<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u00a0 \u2022 1960 – ELVIS PRESLEY – \u2018His Hand in Mine\u2019 \u2022 1962 – FRANK SINATRA – ‘All Alone’ \u2022 1967 – THE MOODY BLUES – ‘Days of Future Passed’ (UK) \u2022 1969 – GRATEFUL DEAD – \u2018Live\/Dead\u2019 \u2022 1969 – THE BYRDS – ‘Ballad of Easy Rider’ \u2022 1972 – BARCLAY JAMES HARVEST – […]<\/p>\n","protected":false},"author":55,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[145],"tags":[],"class_list":["post-220264","post","type-post","status-publish","format-standard","hentry","category-efemerides"],"_links":{"self":[{"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/posts\/220264","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/users\/55"}],"replies":[{"embeddable":true,"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/comments?post=220264"}],"version-history":[{"count":0,"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/posts\/220264\/revisions"}],"wp:attachment":[{"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/media?parent=220264"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/categories?post=220264"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/tags?post=220264"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}