{"id":217918,"date":"2026-09-26T06:30:00","date_gmt":"2026-09-26T04:30:00","guid":{"rendered":"https:\/\/otraronda.xyz\/rock\/discos-publicados-un-26-de-septiembre\/"},"modified":"2026-09-26T06:30:00","modified_gmt":"2026-09-26T04:30:00","slug":"discos-publicados-un-26-de-septiembre","status":"publish","type":"post","link":"https:\/\/otraronda.xyz\/rock\/discos-publicados-un-26-de-septiembre\/","title":{"rendered":"Discos publicados un 26 de Septiembre"},"content":{"rendered":"
\n

\u00a0<\/a><\/p>\n

\u2022 1969 – THE BEATLES – ‘Abbey Road’<\/a><\/b><\/div>\n
\n
<\/div>\n
\u2022 1969 – STATUS QUO – ‘Spare Parts’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1972 – THE J. GEILS BAND – ‘\u00bbLive\u00bb Full House’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1974 – JOHN LENNON – ‘Walls and Bridges’<\/a> (USA)<\/b><\/div>\n
<\/div>\n
\u2022 1974 – JIM CROCE – ‘Photographs & Memories’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1974 – V\u00c9RONIQUE SANSON – ‘Le Maudit’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1975 – MONTROSE – ‘Warner Bros. Presents’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1979 – THE RESIDENTS – ‘Eskimo’<\/a><\/b><\/div>\n
<\/div>\n
\n
\u2022 1979 – U2 – ‘Three’<\/a> (EP)<\/b><\/div>\n
<\/div>\n<\/div>\n
\u2022 1980 – ROBERT PALMER – ‘Clues’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1980 – MADNESS – ‘Absolutely’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1983 – M\u00d6TLEY CR\u00dcE – ‘Shout at the Devil’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1986 – MAGNUM – ‘Vigilante’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1988 – RUNNING WILD – ‘Port Royal’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1988 – VANGELIS – ‘Direct’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1988 – BIG COUNTRY – ‘Peace in Our Time’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1988 – JAMES – ‘Strip-mine’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1989 – DANIEL LANOIS – ‘Acadie’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1989 – RICKIE LEE JONES – ‘Flying Cowboys’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1989 – THOMPSON TWINS – ‘Big Trash’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1990 – LARD – ‘The Last Temptation of Reid’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1991 – CROWBAR – ‘Obedience thru Suffering’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1994 – MASSIVE ATTACK – ‘Protection’<\/a> (UK)<\/b><\/div>\n

<\/b><\/div>\n
\n
\u2022 1994 – GODFLESH – ‘Selfless’<\/a> (EUR)<\/b><\/div>\n
<\/div>\n
\u2022 1994 – RADIOHEAD – ‘My Iron Lung’<\/a> (EP)<\/b><\/div>\n
<\/div>\n<\/div>\n
\u2022 1995 – AC\/DC – ‘Ballbreaker’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1995 – EMMYLOU HARRIS – ‘Wrecking Ball’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1995 – SONIC YOUTH – ‘Washing Machine’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1995 – THE CORRS – ‘Forgiven, Not Forgotten’<\/a> (USA)<\/b><\/div>\n
<\/div>\n
\u2022 1995 – MICHAEL FRANKS – ‘Abandoned Garden’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1995 – SIX FEET UNDER – ‘Haunted’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1995 – PRINCE – ‘The Gold Experience’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1995 – CREMATORY – ‘Illusions’<\/a><\/b><\/div>\n
<\/div>\n
\n
\u2022 1995 – LISA LOEB & NINE STORIES – ‘Tails’<\/a><\/b><\/div>\n
<\/div>\n<\/div>\n
\u2022 1998 – PALLAS – ‘Beat the Drum’<\/a> (UK)<\/b><\/div>\n
<\/div>\n
\u2022 2000 – SOUL ASYLUM – ‘Black Gold: The Best of Soul Asylum’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2000 – CANNIBAL CORPSE – ‘Live Cannibalism’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2000 – SOULFLY – ‘Primitive’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2000 – SWITCHFOOT – ‘Learning to Breathe’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2000 – JOHN HIATT – ‘Crossing Muddy Waters’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2000 – LAMB OF GOD – ‘New American Gospel’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2000 – RANDY NEWMAN \/ BSO – ‘Meet the Parents’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2000 – THE BLACK EYED PEAS – ‘Bridging the Gap’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2000 – ALEJANDRO SANZ – ‘El alma al aire’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2000 – COC – ‘America’s Volume Dealer’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2000 – THE MICROPHONES – ‘It Was Hot, We Stayed in the Water’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2000 – NEW FOUND GLORY – ‘New Found Glory’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2000 – GOOD CHARLOTTE – ‘Good Charlotte’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2000 – BOB WEIR AND RATDOG – ‘Evening Moods’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2000 – MEAT PUPPETS – ‘Golden Lies’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2000 – MARK KNOPFLER – ‘Sailing to Philadelphia’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2003 – ROKIA TRAOR\u00c9 – ‘Bowmbo\u00ef’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2005 – THE CORRS – ‘Home’<\/a> (EUR)<\/b><\/div>\n
<\/div>\n
\u2022 2005 – MIKE OLDFIELD – ‘Light + Shade’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2005 – JAMIE CULLUM – ‘Catching Tales’<\/a> (UK)<\/b><\/div>\n
<\/div>\n
\u2022 2005 – VOLBEAT – ‘The Strength\/The Sound\/The Songs’<\/a> (DEN)<\/b><\/div>\n
<\/div>\n
\u2022 2005 – HIM – ‘Dark Light’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2005 – KATIE MELUA – ‘Piece by Piece’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2006 – NATALIE COLE – ‘Leavin\u00bb<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2006 – AMY GRANT – ‘Time Again… Amy Grant Live’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2006 – MY MORNING JACKET – ‘Okonokos’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2006 – ESCAPE THE FATE – ‘Dying Is Your Latest Fashion’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2006 – MARCO ANTONIO SOL\u00cdS – ‘Trozos de mi alma, vol. 2’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2007 – NIGHTWISH – ‘Dark Passion Play’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2008 – HELSTAR – ‘The King of Hell’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2011 – THE SMITHS – ‘Complete’<\/a> (UK)<\/b><\/div>\n
<\/div>\n
\u2022 2011 – STEVE HACKETT – ‘Beyond the Shrouded Horizon’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2011 – STEVEN WILSON – ‘Grace for Drowning’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2011 – EVILE – ‘Five Serpent’s Teeth’<\/a> (USA)<\/b><\/div>\n

<\/b><\/div>\n
\n
\u2022 2011 – GIRLSCHOOL – ‘Hit and Run \u2013 Revisited’<\/a><\/b><\/div>\n
<\/div>\n<\/div>\n
\u2022 2012 – ELECTRIC LIGHT ORCHESTRA – ‘Mr. Blue Sky: The Very Best of Electric Light Orchestra’<\/a> (JAP)<\/b><\/div>\n
<\/div>\n
\u2022 2012 – JEFF LYNNE – ‘Long Wave’<\/a> (JAP)<\/b><\/div>\n
<\/div>\n
\u2022 2012 – TEN – ‘Heresy and Creed’<\/a> (JAP)<\/b><\/div>\n
<\/div>\n
\u2022 2014 – PRINCE & 3RDEYEGIRL – ‘Plectrumelectrum’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2014 – PRINCE – ‘Art Official Age’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2014 – ABBA – ‘Live at Wembley Arena’<\/a> (AUS)<\/b><\/div>\n
<\/div>\n
\u2022 2014 – EVERGREY – ‘Hymns for the Broken’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2014 – SCOOTER – ‘The Fifth Chapter’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2018 – DIR EN GREY – ‘The Insulated World’<\/a> (JAP)<\/b><\/div>\n

<\/b><\/div>\n
\n
\u2022 2025 – JEFF TWEEDY – ‘Twilight Override’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2025 – NEKO CASE – ‘Neon Grey Midnight Green’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2025 – CATE LE BON – ‘Michelangelo Dying’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2025 – RAGE – ‘A New World Rising’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2025 – MARIAH CAREY – ‘Here for It All’<\/a><\/b><\/div>\n
<\/div>\n<\/div>\n<\/div>\n
<\/div>\n
<\/a><\/div>\n
LP 1969: \u2018ABBEY ROAD\u2019<\/a><\/b> (The Beatles<\/i>)<\/div>\n
El 26 de septiembre de 1969 se public\u00f3 en el Reino Unido ‘Abbey Road’, el duod\u00e9cimo \u00e1lbum y el que supuso el gran final de los Beatles<\/i>. Aunque el tormentoso ‘Let it Be’ fue editado posteriormente, las \u00faltimas sesiones de grabaci\u00f3n completas del grupo se realizaron para este \u00e1lbum.<\/div>\n
HISTORIA COMPLETA en: https:\/\/efemeridesdelamusica.blogspot.com.es\/2012\/09\/lp-abbey-road.html<\/b><\/a><\/div>\n
<\/div>\n
<\/div>\n
<\/a><\/div>\n
LP 1974: \u2018WALLS AND BRIDGES\u2019<\/a><\/b> (John Lennon<\/i>)<\/div>\n
El 26 de septiembre de 1974 se public\u00f3 en EE.UU el quinto \u00e1lbum de John Lennon<\/i>, escrito, grabado y editado durante sus 18 meses separado de Yoko<\/i>. Fue n\u00ba1 en las listas americanas de \u00e1lbumes y ‘Whatever gets you through the night’ el \u00fanico single\u00a0 de su discograf\u00eda que alcanz\u00f3 el n\u00ba1.\u00a0\u00a0<\/div>\n
HISTORIA COMPLETA en: https:\/\/efemeridesdelamusica.blogspot.com\/2012\/09\/lp-walls-and-bridges.html<\/b><\/a><\/div>\n
<\/div>\n
<\/a><\/div>\n
LAS CANCIONES QUE DIERON FORMA AL ROCK & ROLL<\/div>\n
1984: \u2018PURPLE RAIN\u2019<\/a><\/b> (Prince<\/i>)<\/div>\n
El 26 de septiembre de 1984 se public\u00f3 \u2018Purple rain\u2019 el tercer single extra\u00eddo del LP de mismo nombre de Prince and the Revolution<\/i>, considerado por muchos cr\u00edticos uno de los 20 mejores \u00e1lbumes de la historia. El \u00e1lbum era la banda sonora del primer film en el que intervino el m\u00fasico de Minneapolis y la canci\u00f3n era un tema fundamental en la trama. Fue n\u00ba2 en las listas Billboard y top10 en el Reino Unido y Prince recibi\u00f3 por ella dos premios Grammy y el Oscar a la mejor canci\u00f3n original para banda sonora.<\/div>\n
Fue grabada en directo junto a otros dos temas del \u00e1lbum, \u2018I would die 4 u\u2019 y \u2018Baby I\u2019m a star\u2019 en el club First Avenue<\/i> de Minneapolis en agosto de 1983 aunque fueron posteriormente editadas en estudio. En el show mencionado debut\u00f3 en la banda The Revolution<\/i> (que aparec\u00eda por primera vez acreditada en portada) la joven guitarrista Wendy Melvoin<\/i>.\u00a0<\/div>\n
La versi\u00f3n de m\u00e1s de 8 minutos del \u00e1lbum fue recortada a 4 minutos para facilitar su emisi\u00f3n en radio. El \u00e1lbum vendi\u00f3 cerca de 15 millones de copias y estuvo 24 semanas seguidas en el n\u00ba1 de las listas y sus canciones fueron hits en todo el mundo. Prince admiti\u00f3 en una entrevista de The Observer<\/i> que el tremendo \u00e9xito del film y su m\u00fasica fue apabullante: \u201cEn cierto modo me asust\u00f3. \u2018Purple rain\u2019 es mi cruz y la llevar\u00e9 encima mientras est\u00e9 haciendo m\u00fasica\u201d<\/i>. De hecho es uno de los temas que no falt\u00f3 en ninguno de sus conciertos, exceptuando la \u00e9poca en la que cambi\u00f3 de nombre y rehusaba tocar sus \u00e9xitos antiguos. ‘Purple rain’ est\u00e1 incluida en la lista expuesta en el Rock and Roll Hall of Fame<\/i> de ‘las canciones que dieron forma al rock & roll’.\u00a0<\/div>\n
<\/div>\n
\u00a9 2011-2026 efem\u00e9rides musicales<\/b><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u00a0 \u2022 1969 – THE BEATLES – ‘Abbey Road’ \u2022 1969 – STATUS QUO – ‘Spare Parts’ \u2022 1972 – THE J. GEILS BAND – ‘\u00bbLive\u00bb Full House’ \u2022 1974 – JOHN LENNON – ‘Walls and Bridges’ (USA) \u2022 1974 – JIM CROCE – ‘Photographs & Memories’ \u2022 1974 – V\u00c9RONIQUE SANSON – ‘Le Maudit’ […]<\/p>\n","protected":false},"author":55,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[145],"tags":[],"class_list":["post-217918","post","type-post","status-publish","format-standard","hentry","category-efemerides"],"_links":{"self":[{"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/posts\/217918","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/users\/55"}],"replies":[{"embeddable":true,"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/comments?post=217918"}],"version-history":[{"count":0,"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/posts\/217918\/revisions"}],"wp:attachment":[{"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/media?parent=217918"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/categories?post=217918"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/tags?post=217918"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}