{"id":217107,"date":"2026-09-16T06:30:00","date_gmt":"2026-09-16T04:30:00","guid":{"rendered":"https:\/\/otraronda.xyz\/rock\/discos-publicados-un-16-de-septiembre\/"},"modified":"2026-09-16T06:30:00","modified_gmt":"2026-09-16T04:30:00","slug":"discos-publicados-un-16-de-septiembre","status":"publish","type":"post","link":"https:\/\/otraronda.xyz\/rock\/discos-publicados-un-16-de-septiembre\/","title":{"rendered":"Discos publicados un 16 de Septiembre"},"content":{"rendered":"
\n

\u00a0<\/a><\/p>\n

\u2022 1963 – THE BEACH BOYS – ‘Surfer Girl’<\/a><\/b><\/div>\n
\n
<\/div>\n
\u2022 1966 – NINA SIMONE – ‘Wild Is the Wind’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1967 – NEIL DIAMOND – ‘Just For You’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1967 – SCOTT WALKER – ‘Scott’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1969 – MARTHA REEVES AND THE VANDELLAS – ‘Sugar ‘n’ Spice’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1970 – THE BYRDS – ‘(Untitled)’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1974 – RASPBERERIES – ‘Starting Over’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1977 – TALKING HEADS – ‘Talking Heads:77’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1977 – PETE TOWNSNEND & RONNIE LANE – ‘Rough Mix’<\/a> (USA)<\/b><\/div>\n
<\/div>\n
\u2022 1977 – DIANA ROSS – ‘Baby It’s Me’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1979 – RORY GALLAGHER – ‘Top Priority’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1981 – DEVO – ‘New Traditionalists’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1983 – THE MOTELS – ‘Little Robbers’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1983 – GARY NUMAN – ‘Warriors’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1985 – KATE BUSH – ‘Hounds of Love’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1985 – KISS – ‘Asylum’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1985 – THE WATERBOYS – ‘This Is the Sea’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1985 – GARY NUMAN – ‘The Fury’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1986 – LINDA RONSTADT – ‘For Sentimental Reasons’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1988 – TALK TALK – ‘Spirit of Eden’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1988 – NAPALM DEATH – ‘From Enslavement to Obliteration’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1990 – GLORIA ESTEFAN – ‘\u00c9xitos de Gloria Estefan’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1991 – SAINT ETIENNE – ‘Foxbase Alpha’<\/a> (EUR)<\/b><\/div>\n
<\/div>\n
\u2022 1991 – TALK TALK – ‘Laughing Stock’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1991 – BIG COUNTRY – ‘No Place Like Home’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1991 – LLOYD COLE – ‘Don’t Get Weird on Me Babe’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1994 – dEUS – ‘Worst Case Scenario’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1996 – DJ SHADOW – ‘Endtroducing…..’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1996 – FATBOY SLIM – ‘Better Living Through Chemistry’<\/a> (UK)<\/b><\/div>\n
<\/div>\n
\u2022 1996 – KULA SHAKER – ‘K’<\/a> (UK)<\/b><\/div>\n
<\/div>\n
\u2022 1996 – XTC – ‘Fossil Fuel: The XTC Singles 1977\u201392’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1996 – TEN – ‘The Name of the Rose’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1997 – BUENA VISTA SOCIAL CLUB – ‘Buena Vista Social Club’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1997 – PORTISHEAD – ‘Portishead’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1997 – SIZZLA – ‘Black Woman & Child’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1997 – CARLY SIMON – ‘Film Noir’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 1997 – MARIAH CAREY – ‘Butterfly’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2002 – THE CRANBERRIES – ‘Stars: The Best of 1992\u20132002’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2002 – ISIS – ‘Oceanic’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2002 – UNDERWORLD – ‘A Hundred Days Off’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2002 – PAUL WELLER – ‘Illumination’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2003 – VIKTOR VAUGHN – ‘Vaudeville Villain’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2003 – ARETHA FRANKLIN – ‘So Damn Happy’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2003 – A PERFECT CIRCLE – ‘Thirteenth Step’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2003 – ERYKAH BADU – ‘Worldwide Underground’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2003 – BILLY TALENT – ‘Billy Talent’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2003 – THURSDAY – ‘War All the Time’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2008 – REVOLVER – ’21 gramos’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2008 – TAPROOT – ‘Our Long Road Home’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2008 – ALL THAT REMAINS – ‘Overcome’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2011 – TORI AMOS – ‘Night of Hunters’<\/a> (GER)<\/b><\/div>\n
<\/div>\n
\u2022 2011 – KASABIAN – ‘Velociraptor!’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2013 – MANIC STREET PREACHERS – ‘Rewind the Film’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2013 – ELTON JOHN – ‘The Diving Board’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2013 – GOD IS AN ASTRONAUT – ‘Origins’<\/a> (UK)<\/b><\/div>\n
<\/div>\n
\u2022 2013 – KATIE MELUA – ‘Ketevan’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2013 – MONOMYTH – ‘Monomyth’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2013 – BIRDY – ‘Fire Within’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2014 – BARBRA STREISAND – ‘Partners’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2014 – CANNIBAL CORPSE – ‘A Skeletal Domain’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2014 – JESSE WINCHESTER – ‘A Reasonable Amount of Trouble’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2014 – SHELLAC – ‘Dude Incredible’<\/a><\/b><\/div>\n
<\/div>\n
\n
\u2022 2014 – CELTAS CORTOS – ‘Contratiempos’<\/a><\/b><\/div>\n
<\/div>\n
\n
\u2022 2014 – CHRIS BROWN – ‘X’<\/a><\/b><\/div>\n
<\/div>\n<\/div>\n<\/div>\n
\u2022 2016 – LORDI – ‘Monstereophonic’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2016 – KENT – ‘Best Of’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2016 – WILLIE NELSON – ‘For the Good Times: A Tribute to Ray Price’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2016 – TAKING BACK SUNDAY – ‘Tidal Wave’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2022 – SUEDE – ‘Autofiction’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2022 – DEATH CAB FOR CUTIE – ‘Asphalt Meadows’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2022 – PROCLAIMERS – ‘Dentures Out’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2022 – THE HOUSE OF LOVE – ‘A State of Grace’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2022 – BEHEMOTH – ‘Opvs Contra Natvram’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2022 – BLAQK AUDIIO – ‘Trop d\u2019amour’<\/a><\/b><\/div>\n
<\/div>\n
\n
\u2022 2022 – RINGO STARR – ‘EP3’<\/a> (EP)<\/b><\/div>\n

<\/b><\/div>\n
\n
\u2022 2022 – THE MARS VOLTA – ‘The Mars Volta’<\/a><\/b><\/div>\n
<\/div>\n
\u2022 2022 – SIDECARS – ‘Trece’<\/a><\/b><\/div>\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n
<\/div>\n
<\/a><\/div>\n
LP 1977: \u2018TALKING HEADS:77\u2019<\/a><\/b> (Talking Heads<\/i>)<\/div>\n
El 16 de septiembre de 1977 se public\u00f3 el \u00e1lbum debut del grupo new wave neoyorquino Talking Heads<\/i>. Con un convincente sonido propio surgido de una inteligente mezcla de punk, funk<\/i> y m\u00fasica disco y una credibilidad art\u00edstica ganada con impresionantes directos en el club CBGB<\/i>, la banda liderada por David Byrne<\/i> irrump\u00eda en el panorama discogr\u00e1fico con su \u00e1lbum hom\u00f3nimo grabado en los estudios Sundragon<\/i> de Nueva York. Byrne <\/i>cantaba sobre fren\u00e9ticos cambios de ritmo sus enrevesadas letras (sin rima ni l\u00ednea argumental) muy por encima de su tesitura dando la imagen de un loco pretendiendo desesperadamente aparentar normalidad. El single que se extrajo, \u2018Psycho killer\u2019 no pas\u00f3 del puesto 92 en el Hot100, pero la mayor\u00eda de los cr\u00edticos ten\u00edan claro que hab\u00eda nacido una banda que dar\u00eda mucho que hablar.<\/div>\n
<\/div>\n
<\/div>\n
<\/a><\/div>\n
single 1979: \u2018RAPPER\u2019S DELIGHT\u2019<\/a><\/b> (The Sugarhill Gang<\/i>)<\/div>\n
El 16 de septiembre de 1979 se public\u00f3 el single \u2018Rapper\u2019s delight\u2019 del tr\u00edo estadounidense The Sugarhill Gang<\/i>. Aunque no fue la primera grabaci\u00f3n que inclu\u00eda rapeos, est\u00e1 generalmente considerada como la que populariz\u00f3 el hip hop <\/i>en Estados Unidos y el resto del mundo. Fue producida por Sylvia Robinson<\/i> en los estudios de su sello Sugar Hill Records<\/i> y la base r\u00edtmica utilizada era la misma que la del hit del mismo a\u00f1o \u2018Good times\u2019 de Chic<\/i>, iniciando con ello la costumbre de samplear la m\u00fasica de otros. Sobre ella rapearon \u2018Big Bank Hank\u2019 Jackson, Mike Wright<\/i> y \u2018Master Gee\u2019 O’Brien<\/i>, los miembros del Sugarhill Gang <\/i>y el resultado fue top40 en el Hot100, n\u00ba1 en Canad\u00e1 y top 5 en numerosos pa\u00edses europeos. Nile Rodgers<\/i> y Bernard Edwards<\/i>, autores de \u2018Good times\u2019, cuando advirtieron el sampleo, llevaron el asunto a los tribunales y desde entonces los cr\u00e9ditos del tema les incluyen.<\/div>\n
El a\u00f1o 2002, el grupo espa\u00f1ol Las Ketchup<\/i> public\u00f3 el tema \u2018Aserej\u00e9\u2019, cuyo estribillo est\u00e1 basado en la traducci\u00f3n fon\u00e9tica al castellano de la primera estrofa de \u2018Rapper\u2019s delight\u2019: \u00abAserej\u00e9 ja de je de jebe, tu de j\u00e9bere sebiunouva, majabi an de bugui, an de buididip\u00ed…\u00bb\u00a0\u00a0<\/i><\/div>\n
<\/div>\n
\u00a9 2011-2026 efem\u00e9rides musicales<\/b><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u00a0 \u2022 1963 – THE BEACH BOYS – ‘Surfer Girl’ \u2022 1966 – NINA SIMONE – ‘Wild Is the Wind’ \u2022 1967 – NEIL DIAMOND – ‘Just For You’ \u2022 1967 – SCOTT WALKER – ‘Scott’ \u2022 1969 – MARTHA REEVES AND THE VANDELLAS – ‘Sugar ‘n’ Spice’ \u2022 1970 – THE BYRDS – ‘(Untitled)’ […]<\/p>\n","protected":false},"author":55,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[145],"tags":[],"class_list":["post-217107","post","type-post","status-publish","format-standard","hentry","category-efemerides"],"_links":{"self":[{"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/posts\/217107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/users\/55"}],"replies":[{"embeddable":true,"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/comments?post=217107"}],"version-history":[{"count":0,"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/posts\/217107\/revisions"}],"wp:attachment":[{"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/media?parent=217107"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/categories?post=217107"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/otraronda.xyz\/rock\/wp-json\/wp\/v2\/tags?post=217107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}